| Steve
Smith's Drum Talk: "Spring 2003 Vital Info Tour
Diary"
Part
Four: Turkey & Italy
Monday,
February 24
Cemal Resit Rey Concert Hall, Istanbul, Turkey
The snow
continued to fall all night and into the day. I was beginning to
think we'd be snowed in and wouldn't be able to leave Istanbul on
Tuesday. It was nice to sleep in a little and not have to get up
early to travel and the hotel we stayed at was very nice.
Tom and I went
to the concert hall early to set up our gear. Today I have a Sonor
kit that was rented by the promoter and it's in decent condition
but more of an "entry level" kit. I put some new heads
on the bass drum (I carry an extra set of heads in my cymbal bag)
and tuned up the white Remo Ambassador heads that were on the kit
and it sounded pretty good.
The room that
we played in is a beautiful concert hall that has mainly classical
concerts. (The local orchestra rehearsed there AFTER our concert!)
The stage had a very dry sound and we really needed the monitors
to hear each other. We had a very full house of over 500 fans in
attendance. It's so different playing a "concert" as
opposed to the week we just did at the club, Ronnie Scott's. We
still were able to create an intimate feeling even though the room
is about 10 times bigger than Ronnie Scott's.
The audience
was very appreciative and gave us a warm and enthusiastic welcome.
Baron and I have played this concert hall before as members of the
Aydin Esen Trio. Aydin is an incredible pianist/multi-keyboard
player that is from Istanbul and has hired Baron and I to play in
Turkey with him. In fact, the first time I ever played gigs with
Baron (other than sitting in with him here and there) was in
Turkey with Aydin.
Aydin came to
visit and stayed for the concert, it was great to see him. The
last time we played together was in an Istanbul studio when we
recorded his album "Timescape" a few years ago. After
the show, back at the hotel, I hung out with Baron and our
soundman Saan for a while. Saan will be returning to London the
next day, back to his steady gig as the soundman for Ronnie
Scott's. I packed my bag and got a little sleep before a 6:30 am
lobby call.
Tuesday,
February 25
Big Mama Club, Vicoolo S. Francesco A Ripa 18 00153 Roma, Italy
The snow had
stopped for a few hours and we were able to leave Istanbul, but
not without first having to pay Turkish Air $560 overweight. These
European airlines have such a low baggage allotment (20 kilos a
person – about 42 pounds vs. at least 100 pounds per person in
the USA) that it makes touring with any equipment very difficult.
Besides each
one of us having a suitcase, I carry my cymbals and pedal, Tom
takes a rack and an accordion and Frank and Baron bring their
instruments and some effects, so it's not like we have Tons of
Gear!
Anyway, we
arrive in Rome, Italy to what feels to us like warm weather. We
are greeted at the airport by Marcello Fagnani, who will drive us
in a van for the next seven days and also help us setup and
breakdown our equipment. We arrive at the hotel, which is about
150 feet from the club, Big Mama. I set up my Sonor kit, which
we'll keep for the next week. It's a beautiful Blue Sparkle
Designer Set, and it sounds fantastic!
Big Mama Club
is a little, funky Blues/Jazz club in the heart of Rome and we
have played here before. We do a soundcheck and then head to a
local restaurant for a typically great Italian meal. By the time
we all return to the club to hit at 10 pm there is a "sold
out" sign on the door and they are turning people away! We
should have played here two nights!
The crowed is
jammed into the club and they are right up to and almost on the
stage. The audience is with us from the first note and they clap
and cheer throughout the night and give us an amazing amount of
love and energy!! Frank is a favorite here and he addresses the
people in their language as he is fluent in Italian having grown
up in an Italian household in Australia. We play two smoking sets
and then greet some of our fans and relax a bit with some old
friends, it's nice to be in Italy.
Wednesday,
February 26
Bitches Brew Jazz Club, Lungomare Rinascimento, 47 S. Benedetto
Del Tronto, Italy
We drove about
four hours from Rome to the East Coast of Italy and arrived at the
quiet seaside town of San Benedetto Del Tronto. We checked into a
nice hotel across the street from the Adriatic Sea and found out
that the club, Bitches Brew, was in the hotel. Very convenient!
The board-of-directors for Bitches Brew are serious jazz fans and
have had most of the top jazz musicians from around the world play
at the club. The gig was sold out and we played to over 300 very
excited fans.
This tour is
the best one Vital Information has ever been on. The clubs and
their staffs have been great, the routing is very easy to deal
with and the fact that we've broken through to higher level of
popularity is VERY gratifying and inspiring to us. Our
European-sub agent, Patrizio, came to see us at Bitches Brew and
he is already talking about bringing us back to Europe next
Spring.
Thursday,
February 27
Thunder Road, Via Strada Voghera, Genestrello, Italy
Thunder Road is
more of a rock club, but we bring the "jazz vibe" to the
club and again we have a sellout crowd of well over 300 people.
The audience is very high energy and it inspires us to play at our
peak performance. This has been true for most of the tour and each
night feels fresh and very creative.
Friday,
February 28
Fishmarket Club, Via Fra Paolo Sarpi, Padova, Italy
The Fishmarket
is a very unique club. It has a basic décor of fishing
paraphernalia, but each month they change the "theme" of
the club and this month is Indian month. Everything has an Indian
look and it gives the club an exotic air.
Once again, we
play to a sold out club and the people are absolutely wild. Frank
invited one of his guitar-playing friends, Andrea, to sit in with
us. Andrea is one of Italy's top players in both the rock and jazz
worlds and he sounds incredible playing with Vital Information.
Frank is a very well loved guitar hero in Italy because he tours
here regularly with an acoustic guitar duo that plays mainly
classical music. The fact that he speaks great Italian also helps
and he is accepted as "part of the family."
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